Aiblinger, Johann Caspar - Ave Maria

for SATB a cappella

year of composition / 1st publication: s.a.

		Composer: Johann Caspar Aiblinger (1779-1867) aliases, aka: Johann Kaspar Aiblinger Country of origin / activity: Germany / Italy
		Text author: traditional
		Arranger / Editor: N/A

PDF	MIDI	MP3	VID	First name	Last name	Birth	Death	ID #	Title	Voicing	Instrumentation
1	1	1	1	Johann Caspar	Aiblinger	1779	1867		Ave Maria	SATB	a cappella
1	1	0	0	Johann Caspar	Aiblinger	1779	1867	Op.9/12	Ave Maria	SATB	organ
1	1	0	0	Johann Caspar	Aiblinger	1779	1867		Ave Maria	SATB	organ
0	0	1	1	Johann Caspar	Aiblinger	1779	1867		Ave Maria	SATB	a cappella
0	0	0	0	Johann Caspar	Aiblinger	1779	1867		Ave Maria	Tenor, bass	organ
1	1	0	0	Gregor	Aichinger	1565	1625		Ave, gratia plena	ATB	bc
0	0	1	1	Gregor	Aichinger	1565	1625		Ave Maria	4vv (SATB)

Available documentation:

Score: free download available at http://www.mhoessl.de/html/4-stimmig.html#acapella

My thanks and appreciation to
Manfred Hößl
for making this score available.

Lyrics: of the soprano line

A-ve, A-ve Ma-ri-a,
gra-ti-a ple-na, gra-ti-a ple-na,
Do-mi-nus te-cum,
Do-mi-nus te-_-_cum,

in-ter-ce--de,
in-ter-ce-de pro no-bis
ad Do-mi-num De-um nost-rum,
ad De-um nost-rum.

MIDI: not available

MP3: not available

Play / stop MIDI

Recording:

not available

Video - posted on YouTube:

Internet references, biography information:

http://en.wikipedia.org/wiki/Johann_Caspar_Aiblinger

From Wikipedia, the free encyclopedia

Johann Caspar Aiblinger (23 February 1779 – 6 May 1867) was a German composer.
Aiblinger was born in Wasserburg am Inn, Bavaria. In his eleventh year he commenced his studies at Tegernsee Abbey, where he was instructed in piano and organ-playing. Four years later he entered the gymnasium at Munich, where he studied under Professor Schlett, his countryman.
In 1800 he began his studies at the University of Landshut. Inwardly drawn to the Catholic Church, he completed his philosophy and began theology, but the secularization of many religious orders in Bavaria prevented his entrance into a cloister. He now devoted himself solely to music. Led by the then prevailing idea that without a visit to Italy no musical education is complete, he turned his footsteps southward.
After a stay of eight years at Vicenza, where he fell under the influence of his countryman Johann Simon Mayr, Aiblinger (1811) went to Venice and there met Meyerbeer, who procured for him an appointment at the Conservatory. His failure to establish a school for classical music led him to Milan to assume the direction of the local ballet. On his return to Bavaria, King Maximilian I Joseph of Bavaria invited him to Munich to direct the Italian opera. King Ludwig I of Bavaria appointed him director of the royal orchestra, and sent him to Italy to collect old Italian masterpieces. On his return be became the organist of the church of All Saints for which he wrote many valuable compositions.
Between 1820 and 1830 he tried operatic composition, but was unsuccessful. A crusade against Italian music, which led to the revival of Christoph Willibald Gluck's Iphigenia in Tauris, followed. Then he took up church music, studying the old masters and procuring performances of their works. He also wrote much church music. His numerous compositions comprise masses and requiems, offertories and graduals, psalms, litanies, and German hymns, many of which have been published at Augsburg, Munich, Regensburg, and Mainz.
In 1864 he resigned, on account of advancing years. He died in Munich.

A biographical dictionary of musicians (ed. Theodore Baker) G. Schirmer, 1905 - 695 pages

Aiblinger, Johann Kaspar
b Wasserburg Bavaria I d 23 1779 d Munich May 6 1867 Studied music in Munich then at Bergamo under Simon Mayr i8o2 lived at Yicenza 1803 11 became iSkj 2d ill di c to the viceroy at Milan founded the Otlcon society for the cultivation of classical vocal music at Venice in cooperation with Abbe Trentino was engaged 1825 for Munich as 2d Kapellm returned in 1833 to Bergamo and made the tine collection of ancient classical music now in the Staatsbibliothek at Munich lie was the foremost promoter of classical vocal performances in All Saints church Munich and wrote many celebrated sacred compositions masses requiems liturgies psalms etc His one opera Rodrigo e Ximine Munich 1821 and 3 ballets were less successful

Death notice - in Bayerische Statsbibliothek Mus.ms.2771

Page last modified: November 16, 2013