Ave Maria
Composer: M. Hauptmann (s.a.), 1878 ed.
| M. Hauptmann = probably Moritz
Hauptmann (1792-1868) |
 |
| The USA copyright date is 1878, 10 years after Moritz
Hauptmann died. |
| Recording: not available |
|
| Lyrics:
in German and Latin. |
Score: |
A-ve Ma-ri-a, Ma-_-ri-a,
Quel-le der Gna-den, Gott ist mit Dir,
die Du _ ge-seg-net bist vor al-_-len, al-len Frau'n. |
A-ve Ma-ri-a Ma-_-ri-a!
Gra-ti-a ple-na, Do-mi-nus te-cum,
be-_-ne-di-cta tu in mu-_-li-e-ri-bus, |
Mut-_-ter Got-_-tes,
heil'-ge Ma-ri-_-a,
Bit-te für uns, die wir ge-beugt von _ Schuld,
heut' und in uns-rer To-des-stund',
O bitt' für uns, o bitt' für uns,
heut' _ und einst in uns-rer To-_ _ _ des-stund',
o bitt' für _ uns, _ o bitt' für _ uns,
o bit-_-te für uns die wir ver-strickt in Schuld |
Ma-_-ter De-_-i, San-cta
Ma-ri-_-a,
o-ra pro no-bis pec-ca-to-ri-_-bus,
nunc et in ho-ra mor-tis nos-_-trae,
o-ra pro no-bis
nunc et _ in ho-ra mor-tis nos-_-_-_-_-trae,
o-ra pro _ no-bis, o-ra pro _ no-bis
o-_-ra pro no-bis pec-ca-to-ri-bus, |
A-_-ve, A-ve Ma-_-ri-a
Gott ist mit Dir,
die Du _ ge-seg-net bist vor al-_-len, al-len Frau'n,
o bitt' für _ uns, o bitt' für _ uns, für uns,
heut' und einst _ in uns-rer To-_ des-_-stund'. |
A-_-ve a-ve Ma-_-ri-a!
Do-mi-nus te-cum,
be-_-ne-di-cta tu in mu-_-li-e-ri-bus,
o-ra pro _ nobis o-ra pro _ no-bis
nunc et in ho-_-ra mor-tis nos-_-_-_-trae. |
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A
biographical dictionary of musicians (ed.
Theodore Baker)
G. Schirmer, 1905 - Biography & Autobiography - 695 pages |
 |
Hauptmann Moritz eminent theorist and comp b
Dresden Oct 13 1792 d Leipzig Jan 3 1S68 His father was State architect and
hoped to bring up his son to that profession But the results of his musical
studies pf and harm Grosse vln Scholz comp Morlacchi evinced such talent
that no obstacle was allowed to interfere with its development In 18 1 1 he
went to Gotha to study vln and compounder Spohr and became his life long
friend In 1812 he was violinist in the Dresden court orch became mus teacher
to the family of the Russian governor of Dresden Prince Repnin and in 1815
went with them to Russia where he stayed five years Returning to Germany he
was admitted into Spohr's court orch at Kassel in 1822 He exhibited
remarkable ability as instructor in cpt and comp and in 1842 on the
recommendation of Mendelssohn and Spohr was app cantor and Musikdireclor at
the Thomasschule as Weinlig's successor and prof of cpt and comp at Leipzig
Cons retaining these posts until his death A master of classic musical form
he followed a fundamental rule that unity of idea and perfection of form
were indispensable in all comp s and exemplified it in his own music which
is remarkable for architectonic symmetry of form and purity of part leading
his vocal music especially the motets is particularly beautiful Still
although a finished composer he is more famous as a theorist and teacher
among his numerous distinguished pupils were Ferd David BurgmUller Kiel the
Baches Joachim Sullivan von Btilow Cowen etc The scientific foundation of
modern musical theory amplified by A v Oettingen Harmoniesys tem in dualer
Entwickelung 1866 Riemann Handbuch der Harmonielehre etc and others is laid
by II in Die Natur der Har |
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September 14, 2011
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