Ave Maria  (SATB + keyboard) 

Composer: Carl Czerny (1791-1857), 1839


 

This music is assumed to be public domain in the USA. BEWARE: the modern-day recordings of that music are not!

  

 

AveWiki = the interactive counterpart of "Geert's Ave Maria pages"
AveWiki link

Lyrics:

play/stop MIDI:

A ve Ma ri a, gra ti a ple na,
a ve Ma ri a, gra ti a ple na,
Do mi nus te cum, Do mi nus te cum,
be ne di cta tu in mu li e ri bus,
in mu li e ri bus
et be ne di ctus fruc tus ven tris tu i,
fruc tus ven tris tu i Je sus.

 San cta Ma ri a, Ma ter De i,
San cta Ma ri a, Ma ter De i,
o ra pro no bis, o ra pro no bis,
o ra pro no bis pec ca to ri bus,
San cta Ma ri a, San cta Ma ri a
o ra pro no bis pec ca to ri bus,
nunc et in ho ra mor tis no strae,
nunc et in ho ra mor tis no strae,
o ra pro no bis,
o ra pro no bis pec ca to ri bus,
a men, a men, a men, a men.
Score:   sheet music

Recording: 

play/stop MP3:

Le Choeur Enharmonique de Montréal (2009 concert)

My thanks and appreciation to
André Lafrance
for sending me this recording.

A biographical dictionary of musicians (ed. Theodore Baker)
G. Schirmer, 1905 - Biography & Autobiography - 695 pages
  Czerny, Karl the eminent pianist and pedagogue
b Vienna Feb 21 1791 d there July 15 1857
His father Wenzel C was his first teacher later he had lessons of Beethoven of whom he was an especial favorite' he also learned much from association with Clementi and Hummel. As a pianist and teacher he became celebrated at an early age but a European tour arranged for 1804 had to be given up on account of the troublous times and C soon gave up playing in public devoting himself to teaching and composing Except pleasure trips to Leipzig 1836 Paris and London 1837 and Lombardy 1846 he remained all his life in V ienna As a teacher his success was remarkable from his 16th year Ninette von Belleville M me B Oury Liszt Diihler Thalberg Jaell and many other pupils testify to his proficient training

As a composer he publ over 1,000 works of which his pf studies were of lasting value Die Schule der Gelaufigkeit op 299; Die Schule des Legato und Staccato op 335; Tagliche Studien op 337; Schule der Verzierungen op 355 Die Schule des Virtuosen op 365; Die Schule der linken Hand op 399; Die Schule des Fugenspiels op 400; Die Schule der Fingerfertigkeit op 740; etc etc

Other compositions many in MS were of a varied description Church music such as masses requiems graduals offertories symphonies overtures concertos string quartets and trios songs etc besides innumerable arrangements He wrote an Umriss der ganzen Musikgeschichte Mayence 1851 and an autobiography s

Page last modified: November 15, 2011

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